christinesrant, Discrimination, Entertainment, Feminism, gender, Prejudice, sexism, Television, TV, TV-series, Women empowerment

Covert Affairs. Not So Covertly Discrimination Against Women.

My first reaction to Covert Affairs was this:

I have now finished the 1st season and let me be clear; I am horrified!

Annie Walker, a young sexy female CIA trainee is handpicked and fast-tracked suddenly finding herself Operative.

This could have been a funny twist on the sexy female agent trope. Perhaps that was what they were going for but let me tell you why and how they fail. Miserably.

Introduced as a pretty tomboy, Annie quickly evolves into Action Junkie Barbie.

When called in by a (male) CIA/military trainee officer, she awkwardly blabbers on admitting to sleeping with her taekwondo instructor. Which btw, is not against the rules. She has already checked.

In a couple of seconds, she is transformed into a geeky-girl-next-door type who knows how to google.

The CIA clears her after interviewing her with a series of questions about her sex life. We now know her beach relationship with ex Ben Mercer ended ugly, she is fluent in six languages and she likes to wear outrageous cleavages. It is a good thing her breast barely manages an A-cup or it would be boobies all over the place!

She comes off as a man-eater as we see her flirt with Conrad, a man she just met on the steps of her new CIA home. Who, in all honesty, is flirting with her.

Her awkwardness is yet again apparent when she tries to walk through security without her passkey. Switching her from sexy confident to silly and girly.

Here lays the secret to what I hoped this show would be like.

Already we have seen Annie as confident, silly, headstrong, naïve, determined, awkward, sexual, weak, smart, emotional and strong. Not completely one-dimensional.

It gives me hope.
However, there are signs I do not like.

Her commanding officer points out that she is the best driver of any women the CIA academy (?) ever have had. WTF?!

And, Conrad is goading her to make the no-passkey mistake.

The bureau needs Annie because she can pass as a hooker. Seemingly, as the only other woman in this department, Annie’s female boss gives her this assignment. As if that makes everything all right!

Her boss is another example of the sexist craftsmanship of the writers. She cannot trust her unfaithful husband, and continues to interrupt his business meetings throughout the entire season trying to shame him in front of others. Resulting in high bitch levels herself.

Auggie, a blind agent now acting as the geeky IT guy and obviously the romantic lead in this show, he cannot judge her by her looks. He has instead perfected the skill of listening to how other men talk to women to find out if they are sexy or not.

Back to Annie.

She flirts wherever she goes. It is her secret weapon but is seriously rattled when finding that her contact guy is an ugly middle-aged man, and she frowns at the ordinary looking man her sister sets her up with. Not giving it a chance in hell.

Instead of CIA mentoring her so she slowly gets better at what she does, everybody seems to be goading her and then laughs or yells at her for not doing her job well. Her ex being the only actual reason she is there.

She screams like a girl, cannot walk in those high-heeled Louboutins as if her life depended on it, and is manipulated by everyone around her.

At one point, her ex and her new loverboy bickers about how to best keep her safe, while she is there. Doing nothing.

Every episode ends with her being rescued by a man. She tries to fight but is defeated every fucking time.

In the second episode, just to be certain we get how womanly weak she is, she is equipped with a panic/rape alarm and pepper spray. Emphasizing her (gender) as a victim.

When Annie’s only female to look up to, her boss, gets the career opportunity of taking her husband’s job, making her the highest-ranking woman in the history of the CIA and do an amazing job at it.

In spite of all her confrontations with her husband, she turns the offer down willing to fight with him (instead of against) keeping their marriage true.

Is this actually an accurate portrait of a working woman in the patriarchy? Especially working in a male-oriented workplace?

Because when ex Mercer romantically asks Annie to change her ticket the next day, all I hear is, “Please sacrifice everything for me! As a man I cannot, but you are only a woman. You can.”

Christine

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Adaptation, christinesrant, Entertainment, Fantasy, Feminism, sexism, TV, TV-series, Werewolf, Women empowerment

Bitten. A Showdog Through and Through.

Bitten is a crap show. I am surprised by the news of a second season, starting January 2015.

The werewolf setup is simple.

Elena is bitten by a big dog when visiting her fiancé Clayton Danvers (her former boss at the University) at his home estate. Alas, it was not a dog.

Against all odds (!), she survives which means she is the only female werewolf in the world. ‘Cause girly were-pooches cannot handle the change. They die.

They (writers and production) try hard to make her the hero. Molested as a child, she has this whole rape-revenge thing going on. Unfortunately, she is an uninteresting character played by Laura Vandervoort, a non-awe-inspiring actress.

Sure, she is a surviving bitch who does her own fighting and demands a lot of sex but she does not come out of it empowered. The rest of the time, she just comes off as lame. Very sexual, but still lame.

To no-ones’ surprise, werewolves are either born or bitten. Organized in one Pack with a Pack Master and a set of rules spread around the world. Secrecy the number one rule.

Individual wolves (Mutts) live outside the Pack either by choice, lack of knowledge or by Packs decision, and are therefore the sworn enemy of the Pack.

Born werewolves (males only) always has a pooch for a father and a human mother. They usually grow into their hairiness during early puberty. However, if bitten the change is immediately.

When a baby boy is born, Fido is supposed to kidnap the baby and raise it within the pack, which means raising it among men only. Now, this I find refreshing!

The pack members’ masculinity is quite, eh, feminine. They really are just soft cuddly puppies really.

And stereotypical.
Strong, muscular, healthy, protective and brutal when necessary.

Men of integrity.

There is a lot of hugs, kisses and different displays of physical affection, even love, between them. They ugly-cry when Antonio dies, snot and all.

They are comfortable with their own, and each other’s nudity.

They always gather around the kitchen table for huge meals. A table also used when members are wounded/dying, so it is constantly covered with either food or blood.

Clayton is the irrational one. Acting out every emotions whether it is love, happiness, anger or destruction in a pair of jeans and flannels. He is their best fighter (with a mean streak), introverted, moody, scruffy, pushy and protective. He craves Elena. Going against everything, just because he wants her. Willing to sacrifice himself. A typical male hero, that is. But he is smart too. He is a professor at the Department of Anthropology.

Clayton tears up on multiple occasions, after interrupted moments with Elena, when begging Elena to come back and save him from his rampaging. And, ultimately when Elena puts their former engagement ring back on his finger comforting him that there will be no more sacrifices.

Jeremy is the conflicted father figure. His own father threw him in a lake as a puppy with a rock around his neck. He is the law, love and soul of the pack. He has saved/adopted/taken responsibility for everyone in the Pack at one point. He is artistic too. His paintings displayed around the house.

Antonio and Nick, actual father and son (i.e. kidnapper and victim) are business types dressed in suits. They have a loving relationship. Nick is comfortable with both sexes in bed, sometimes together. He is Elena’s favorite shopping stand-in and generally a metrosexual man.

Logan is the outsider in the pack. Raised by his mother he had a painful upbringing. So much that he became a psychologist. Or, is it that he is the only African-American member in the pack? Complete with an African-American girlfriend. Now an expectant father, he decides to run and hide his family from the Pack.

Clayton is not the only one craving Elena. He is getting competition from the Mutts, now organized.

Since she is the only bitch that can give them beautiful and true puppies, her status is skyrocketing.

The Mutts worship her as The Mother/The Goddess/The Bitch. An archaic patriarchal enjoyment of women. As a baby making machine.

The Pack equally needs Elena but recognized as Clayton’s (somewhat unwilling) partner, it is a non-issue.

It is however clear that Packmaster Jeremy is weak (as a man and as a leader) because he is not using her full potential when he chooses not to rape her.

Am I going to watch season two?

Nope.

Christine

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christinesrant, Discrimination, Entertainment, Prejudice, Propaganda, Racial discrimination, Sci-fi, Science Fiction, Television, TV-series, USA

The Last Ship. Fire In The Hole!

OMFG!
I do not know how or where to start this rant.

At first, The Last Ship looks cool.

A post- apocalyptic pandemic scenario and a US Navy guided missile destroyer.

Straight of I get a Battlestar Galactica feel. A hint of old school sci-fi, like with real sets and everything.

In addition, there is a present and an imminent danger.
Not in a far future. Furthermore, it is on our earth. No parallel worlds. No aliens.

Oh Gosh, I am getting my hopes up!

Not 12 minutes into the episode, the Russians attack.

Ah, I see.
A nostalgic nudge to 80’s and 90’s action movies with American number one favorite enemy Russia. I am cool with that.

From there on EVERYTHING about this show goes horribly wrong.

Half way through episode 2 I am getting increasingly uncomfortable as our heroes searches Guantanamo Bay for supplies.

Freed because of the virus, Al-Qaida prisoners rule this playground hell-bent on killing everyone although the virus is killing everybody anyway.

So not to be confused with our heroes, Al-Qaida is dressed in their standardized uniform complete with orange neckties, afghan turbans and beards.

It is as if they never left the Afghan mountains.
They are even accompanied by an exotic soundtrack.

Do the US and their military need a pat on the shoulder?
Here represented by the Navy. The finest of the whitest. Yeah, I am talking about their iconic white ceremonial uniform.

Is their reputation THAT tarnished?
‘Cause in my mouth this tastes awfully like propaganda.

Russia is the enemy throughout the season. Thank goodness, we have evolved though!

Our hero captain speaks Russian.

In addition to reading books.
About Russian military captains.

However, there is no Russia anymore. Only forces operating on their own authority according to what is left of the US Government holding out in a bunker underground, hanging on the US of A is still standing strong!

Although it is in shambles.
Just like Russia.

But in control.
Unlike Russia.

The ongoing threat by the Russians and the one from the Al-Qaida is only the beginning.

Meet El Toro. The drug lord type living it easy in the Nicaraguan jungle he calls his own.

He molests young girls, preferably right before they hit puberty. He is surrounded by jungle music with sounds of monkeys and bongo drums.

So to best get that jungle vibe.

Still not convinced this show is crap?

Every military person on board is understandably American. Therefore, we need an intelligent alibi.

Thankfully, the scientists guesting the destroyer are British. The man is however a traitor.

He does not speak much in the beginning. When he does, it is with the Russians. Therefore, you accept his stone cold nature without blinking while the female scientist runs around all emotional.

To top it off, he has red hair and bad acne scars across his face for goodness sake!

Of course, he is bad.

I mean British.

To complete this work of crap, the Asian-American engineering guy does not stop reading while eating and one of the two Afro-American guys you get to know, is the first to die. On an away mission of all things.

Christine

 

 

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