christinesrant, DC comics, Entertainment, Fantasy, Genre, Legends of Tomorrow, Marvel, Review, Sci-fi, Science Fiction, Superhero, Television, Time travel, TV, TV-series, USA

Legends of Tomorrow. Heroes of TV today.

DC’s Legends of Tomorrow is what you get when superheroes has gone prime time.

It is the new original story (for TV) on CW about a gang of superheroes and villains teaming up together to fight a common enemy. And the bunch has a better fit than The Avengers.

There is a Legends of Tomorrow comic but it supposedly has nothing to do with the TV show.

legendsCW is no virgin when it comes to superheroes, as both the gritty drama Arrow and the more light-hearted and sometimes insane and silly The Flash has both run successfully for a couple a years. And let us not forget about Smallville (2001-2011). We are talking about 10 seasons of Superman here. A real blast from the past.

I am a superhero fan. I have seen all of the recent superhero movies. Some I did not like very much (read what I think about The Avengers: Age of Ultron) and some, like Ant-man I really enjoyed.

I am also not a newbie when it comes to superhero TV. Arrow, The Flash, Smallville, Supergirl (CBS), Agent Carter (ABC), Agents of Shield (ABC), Jessica Jones (Netflix), Daredevil (Netflix), Gotham (FOX), I am not missing anything.

So what about Legends of Tomorrow?

The superhero genre usually means human melodrama mixed with super talent(s), i.e. cool special effects. And I prefer more of the latter. But there needs to be a story there. Arrow almost lost me when the drama got too much air time (read why here) but The Flash got me back.

LoT takes some of the most colorful characters from Arrow and The Flash and give them an insane scifi playground; a couple of bad guys, some flying lovers, two geniuses, a black guy and Rory from Doctor Who.

Superheroes and time travel.

People, what’s not to love?!

The creators and writers are having fun making this shit up!
I am talking Doctor Who and Star Wars spoofs aplenty.

Laserguns, time masters, Cronos the Bounty Hunter, spaceship AI.

But best of all, you know you have the ultimate super villain when you meet the 4000 year old Vandal Savage (Casper Crump). You just know what to expect with a name like that. And it delievers.

It is genuinly funny, fast paste with special effects and explosions out your ass. And when the team goes to Norway in 1975, I am sold.

Firestorm (the excellent Victor Garber as Dr. Martin Stein and Franz Drameh), the Atom (Brandon Routh as Ray Palmer (he actually played Superman in the really shitty Superman Returns movie from 2006), White Canary (Caity Lotz as Sara Lance), Hawkgirl (Ciara Reneè) and Hawkman (Falk Hentschel), Heat Wave (Dominic Purcell) and Captain Cold (Wenthworth Miller) have all appeared on one or both Arrow and The Flash. Now with team captain Rip Hunter (Arthur Darvill), they are ready for new adventures.

So am I.

Christine

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The Black Female Cop and the Case of the Uncontrollable White Male.

I am hoarding TV shows and while this makes me seem friendless, lazy and pathetic, it gives me great joy and even some deep frustrations, but mostly it gives me food for thought.

So not that sad actually.

When watching so many TV shows simultaneously you start seeing connections between them. Even when there is none. But that is a medical condition and not the subject of this rant.

Lately TV shows combine police investigations with sci fi and/or supernatural threats. Most of them even turning to the fantastic when working cases. It is quite the trend!

Multiple reality checks vs sci fi/fantasy.
Badge vs evil, sort off.

Wearing said badge is usually a very competent female Afro-American police officer. What most of them have in common; a white male bringing chaos into their world.

Men who rely on their gut feeling, magic and even crime.
Men with a mission.
With secrets.

Men who need protection.
From themselves, but mostly from others.

Should I tread lightly now, you say?
Being a white middle-aged middleclass woman.

I will jump right in then.

Firstly, worth mentioning when taking on this trope, is Detective Joss Carter (Taraji P. Henson) in CBSPerson of Interest (2011-), the show that least rely on supernatural stuff but is very much a science fiction mystery show.

PERSON OF INTERESTDetective Carter is a confident single mom and an excellent detective. She is in control of both her work and personal life; although you could say, she is somewhat boring. No romantic entanglements, no shady business, but manages to balance her work and family duties like a pro.

Enter the ex-assassin John Reese (played by Jim Caviezel).

Some would claim that Reese is not chaotic at all and right they are, he is a total neat freak but he is still a chaotic part of Carters life. First, he is a suspect then an ally, a partner and a friend. Somewhat stupidly he ends up being a unfulfilled romantic connection. All while he tries to do good by doing a little bit bad.

Person of Interest season 1 trailer

Following along this path almost exactly is Fox’ show Minority Report (2015-)  based on the movie from 2002 with the same name.

Minority-Report-PosterMegan Good plays Detective Lara Vega, solving murders 10 years after the Precrime ended. She is a remarkable and very capable detective. Never needed any help doing her job before. She even manages to handle her ex being her boss.

Until Dash (Dashiell Parker).

A half shy, half-autistic precog living in a milk jar for six years played by Stark Sands, who sees the crimes before they happen but has no clue whom the victim is or the guilty party.

Dash desperately wants to help. In addition, hide from whoever is looking for him and the other precogs. To disrupt Vega’s life even more, his visions comes with an unsettling timing. And they spend equal time trying to cover up their workings from exes, police and powers to be. His criminal brother Arthur Watson (played by Nick Zano helps out, to keep the chaos rolling.

Minority Report season 1 trailer

Sleepyhollow-poster1780’s Ichabod Crane (by Tom Mison) stirs up trouble (first) in 2013 (and ongoing) for police Lt. Abbie Mills (Nichole Baherie) in FoxSleepy Hollow.

To be fair, she was already gifted/cursed as a Witness as a child but this has never been a problem in her adulthood. She does have a crazy and criminal sister who did not handle what had happened to them that well.

Like all the others, Mills is very capable, on her way to become FBI but a couple of resurrections, one headless horseman and an evil witchy wife later, her life is in shambles. I say she handles it all very well.

Sleepy Hollow season 1 trailer

Also worth mentioning, although only support cast member, is the lovely but disgraced State Trooper Amanda Fisher (Jill Marie Jones) in StarzAsh vs Evil Dead (2015-) hit TV show.

We know Ash (Bruce Campbell) from the previous comedy horror movies to be cheesy, resourceful and unlucky. And Fisher needs to get to him before anything more evil happens. She is however not immune to his charms. With fatal consequences.

Ash vs Evil Dead season 1 trailer

Disruptive white men have not only been a black woman’s problem. White women have also had their share of uncontrollable white male partners.

FBI Special Agent Olivia Dunham (played by Anna Torv) in FoxFringe (2008-2013) collaborates with criminal Peter Bishop (by Joshua Jackson)  and his crazy father, Dr. Walter Bishop (by John Noble).

Fringe season 1 trailer

US Secret Service Agent Myka Bering (Joanne Kelly) in Syfy’s Warehouse 13 (2009-2014) is a by-the-book agent. She has an eidetic memory and is all about details. A rising star that suddenly finds herself stuck with the recovering alcoholic and rule bender agent Pete Lattimer (Eddie McClintock) with a knack for vibes.

Warehouse season 1 trailer

In the new CBS show Limitless (2015-) based on the movie Limitless (2011) Agent Rebecca Harris (Jennifer Carpenter) has her share of trouble containing Brian Finch (Jake McDorman).

Limitless season 1 trailer

x-files-exclusiveFinally, but not forgetting Agent Dana Scully (Gillian Anderson). She iconized the trope in The X-files (originally aired 1993-2002, new mini-series in 2016), keeping control on Fox Mulder (David Duchovny) was a full time job. It is also one of the most anticipated new season of a sci fi show EVER. And the first episode delievers. Especially when it comes to Mulder’s usual lift off and Scully carefully bringing him down and back to reality.

I am still amazed how fucked up their communication is, and yet we still watch it. Mulder never explains anything, but rambles on about THIS thing (never pronouncing what the specific this IS) being the most important bit about IT (?) and that they have to whistleblow it. Scully always shutting him down but never makes him actually explain it. She never asks why or what he is talking about. Either she is a Mulder mind reader or she does not care at all. Watch trailer for the new mini-series underneath.

Christine

 

 

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Shadowhunters. Unfinished Business.

Shadowhunters is the brand new TV adaption of YA author Cassandra Clare’s bestselling series The Mortal Instruments (paranormal romance/urban fantasy).

In the US it airs on ABC Family, now named Freeform (Netflix for the rest of us), which sadly is the only interesting thing about the show.

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First off, I have read the books. They are okay. Perhaps a tad cliché for my taste but then again, I am no young adult anymore.

I have even seen the movie from 2013.  It was bearable. Mostly because of the casting.

Now somebody has been unfortunate enough to be responsible for Shadowhunters the TV show. So please, whoever is in charge, put an end to this travesty.

It is not imperfect. It is total GARBAGE.

I am actually not that concerned of the changes in the cast. Like so many fans.

I like Lily Collins but not a fan of her as Clary Fray in the movie. Therefore, I welcomed Katherin McNamara, except for the fact that she sucks at acting.

I do not even care that Luke is black. Tokenism or not.

Jamie Campbell Bower was never Jace to me. I always pictured him like Alex Pettyfer, when he still had is golden locks.

I can even tolerate the new high tech X-men base that is the no-longer gothic Institute.

The only one that actually can act is Alan Van Sprang. I am certain he can give the oomph that is Valentin Morgenstern. I loved him as Sir Francis Bryan in The Tudors and as King Henry II in Reign, but the writers do not bother explaining or give time to the antagonistic Circle or Valentin. Hell, they do not even bother about Shadowhunters that much.

What they do care about is showing of model perfect, beautiful people.

Mannequins.

Locked in selfie mode.

Look at the official teaser (all the way down, at the end of the rant).

If you think it looks weird, low budget and unfinished, this is also how the rest of the show looks like.

I am talking plastic swords with LED- lighting and ill-fitted supermarket cat eye contacts.

Hey, it is cheaper than CGI!

You know what will save even more money? Let’s not actually show the fight scenes! Just hint at it. Cheaper than paying a fight choreographer.

In my research for this rant (yes I actually do work at it) I found what creator Clare herself says about the show.

Clare states on her homepage (and seriously, it is really all her, high lights and all): “Please understand that I have nothing to do with the decision to make a television show instead of more movies. I have nothing to do with any casting or recasting decisions. I HAVE NOTHING TO DO WITH THE WRITING OF THE SHOW OR ITS PLOT. […]“.

I rest my case.

Christine

 

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Tinker Bell. Rebel of the Disney World.

I finally came around to checking out the story of Tinker Bell, a Disney original story made into a whole franchise somehow overlooked by the masses, at least by young adults and grownups without children.

This is perhaps because these movies are considered spin offs of the Peter Pan movie from 1953, and therefore considered not as good. But mostly because they tend to speak to a younger audience than your average Disney blockbuster.

It is also why I have not seen them before. I admit it. I am a blockbuster whore.

With absolutely no expectations at all, I sat down to watch the first instalment (from 2008) of the young girl movie franchise. ‘Cause let’s face it. It is a girly movie.

The curvaceous Tink appeared first in the play Peter Pan from 1904 and in the novelization Peter and Wendy from 1911. Her popularity exploded with the Disney-animation from ‘53.

I was born in the early 80’s, so my entire childhood and young adult life was Disneyfied. Yup, that is in fact something! Some might claim my life still is.

Fucking princesses everywhere.

So I was really interested in seeing what young girls learn from Disney now a days.

tinkerbelldvdcover

Like The Hunger Games, Divergent and every fucking YA book and movie franchise out there, the fairy society Pixie Hollow is divided into factions. Everybody got their own little group (selected in a magicky kind of choosing) they belong to. And don’t you dare step outside your group.

From the beginning I was thinking; Hell yeh, Tinker Bell! You go girl!

She is a tinker, a creator, a discoverer. She is in with the geek lot, where being smart and creative is the way to go. She faces every challenge head on with enthusiasm only surpassed by one Miss H. Granger on house-elves rights. And from the very beginning, she fights the restrictions.

Tinking is her talent, but she does not stop there. She is a dreamer.

She is headstrong, hotheaded and somewhat rude (the term little tinker is actually used as a term of endearment for a cheeky young child) but all she wants is to go to the Mainland with the other fairies. But she is a tinker and tinkers does not go to the Mainland.

So she goes out of her way to try to learn the other fairy talents, bending every rule there is, and she fucks up BIG TIME. She is trying to prove too much. She is a little too creative.

And she ultimately destroys everything. She has a meltdown and shortly gives up, totally heartbroken.

After talking to a friend, she discovers that she is proud of who she is, and should honor her tinking abilities and not try to be like everybody else.

She needs to fix what she has destroyed and finally manages to tink her way to the Mainland.

You show them, Tink!

Ultimately, Disney tells us that we have a destiny, a talent we will excel in. On the negative side, we do not have free will and the possibility to learn a new talent do not exist. But if you are smart and strong-willed enough, you can use your talent to explore and shed said restrictions.

I am swaying to and fro on this one.

But in the end, the movie is free from (really?) romantic entanglements and Tink does not want or try to change because she is in love. She does not change per se but becomes more aware of both the positive (creation) and negative (destruction) sides of her talent.

At the end, she is still a headstrong, hotheaded girl that still dreams about impossible things.

Impossible made possible when you know how to tink.

Christine

 

 

 

 

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The Avengers. Age of Boredom.

I was not expecting much except be entertained by The Avengers: Age of Ultron (2015).

No breakthroughs. No innovative methods for soul searching. No deep touchy feely stuff.

Just good fun popcorn kind of time.
With a lot of CGI.

Alas, I have not been entertained by Marvel since the first Iron Man movie (2008).

Is it me or is the whole Marvel Superhero franchise becoming crappier by the minute?

Sorry, the franchise is not getting crappier. It is actually thriving and rightly so. Each movie installment however is a whole ‘nother matter.

Yup, they are milking it. Everybody can agree and accept this (they are not alone!). The difference now from the earlier installments is that they kind of count their chickens before the eggs hatch. Meaning every movie feels like a 2-hour trailer for the next one. Nothing more.

Alternatively, that half the movie story wise was discarded in the last production stages. Cause the movie does not make any sense. At all. What so ever.

The public’s negative opinion of the Avengers drives the heroes into hiding. How dare they save the world by destroying it!

This permeates the whole movie but perhaps more in the beginning, implying it as one of the main storylines.

Both you and I know the Avengers does not fix things from behind a desk. Already we have a pending conflict. An interesting one, at that.

Because we all know they (the heroes) are going to fuck it up. Stark and Banner fulfills that prophecy pretty quickly.

What happens to this conflict?
Nothing. Absolutely fucking nothing!

Not once is this brought up after its initial introduction.
No angry public. As if it wasn’t an issue.

But it was. The fucking Avengers went into hiding because of it!

Looking past the obvious shitty logic of the movie, the usually witty exchanges seemed stale. At one point, it seemed like everyone was tired of their own dialogue. You and me both!

Stark is doing his own thing. As always.

Captain America disagrees a lot with Stark. And can never have romantic relationships with anyone since Peggy Carter has become her own thing on TV.

Thor has absolutely nothing invested in this movie. He is the character in the background apologizing to everyone for stepping into the other’s scenes, seemingly awaiting his own movie franchise update. Okay, he did two things. He verbally showed off his very boring human girlfriend, and at one point took his shirt off and waded waist deep in a pool. Sexily.

Banner is more Whiney-Hulk than usual.

Who the fuck is Barton/Hawekey again?

Once the only female (movie) Avenger and alibi, Black Widow is in love with the Hulk, only seeing his beastly power and soft heart.

We have seen this before, folks. Belle from Beauty and the Beast has the same problem, and just like another Bella (Twilight) Black Widow has to put up with a gloomy and (self) destructive boyfriend.

It is easy to say that Black Widow is just as cool, powerful and sexy as her male companions are. She even gets to fight men! Sometimes.

Then they (who ever the fuck is in charge) go and screw this up. BIG TIME.

And this did it for me. The point of no return.

Black Widow breaks down emotionally feeling incomplete as a woman because she does not have children. Worse, she cannot have any.

Worser (if it is good enough for Shakespeare, it is good enough for me!) still, the spy/assassin training camp took this away from her. To make her a more effective agent.

As if pushing a child out your hooha would erase 15-20 years of brainwashing and extreme fitness training.

I am not buying this bullshit.

I am not even going to mention that Ultron actually is really cool as a bad guy.

Christine

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Bitten. A Showdog Through and Through.

Bitten is a crap show. I am surprised by the news of a second season, starting January 2015.

The werewolf setup is simple.

Elena is bitten by a big dog when visiting her fiancé Clayton Danvers (her former boss at the University) at his home estate. Alas, it was not a dog.

Against all odds (!), she survives which means she is the only female werewolf in the world. ‘Cause girly were-pooches cannot handle the change. They die.

They (writers and production) try hard to make her the hero. Molested as a child, she has this whole rape-revenge thing going on. Unfortunately, she is an uninteresting character played by Laura Vandervoort, a non-awe-inspiring actress.

Sure, she is a surviving bitch who does her own fighting and demands a lot of sex but she does not come out of it empowered. The rest of the time, she just comes off as lame. Very sexual, but still lame.

To no-ones’ surprise, werewolves are either born or bitten. Organized in one Pack with a Pack Master and a set of rules spread around the world. Secrecy the number one rule.

Individual wolves (Mutts) live outside the Pack either by choice, lack of knowledge or by Packs decision, and are therefore the sworn enemy of the Pack.

Born werewolves (males only) always has a pooch for a father and a human mother. They usually grow into their hairiness during early puberty. However, if bitten the change is immediately.

When a baby boy is born, Fido is supposed to kidnap the baby and raise it within the pack, which means raising it among men only. Now, this I find refreshing!

The pack members’ masculinity is quite, eh, feminine. They really are just soft cuddly puppies really.

And stereotypical.
Strong, muscular, healthy, protective and brutal when necessary.

Men of integrity.

There is a lot of hugs, kisses and different displays of physical affection, even love, between them. They ugly-cry when Antonio dies, snot and all.

They are comfortable with their own, and each other’s nudity.

They always gather around the kitchen table for huge meals. A table also used when members are wounded/dying, so it is constantly covered with either food or blood.

Clayton is the irrational one. Acting out every emotions whether it is love, happiness, anger or destruction in a pair of jeans and flannels. He is their best fighter (with a mean streak), introverted, moody, scruffy, pushy and protective. He craves Elena. Going against everything, just because he wants her. Willing to sacrifice himself. A typical male hero, that is. But he is smart too. He is a professor at the Department of Anthropology.

Clayton tears up on multiple occasions, after interrupted moments with Elena, when begging Elena to come back and save him from his rampaging. And, ultimately when Elena puts their former engagement ring back on his finger comforting him that there will be no more sacrifices.

Jeremy is the conflicted father figure. His own father threw him in a lake as a puppy with a rock around his neck. He is the law, love and soul of the pack. He has saved/adopted/taken responsibility for everyone in the Pack at one point. He is artistic too. His paintings displayed around the house.

Antonio and Nick, actual father and son (i.e. kidnapper and victim) are business types dressed in suits. They have a loving relationship. Nick is comfortable with both sexes in bed, sometimes together. He is Elena’s favorite shopping stand-in and generally a metrosexual man.

Logan is the outsider in the pack. Raised by his mother he had a painful upbringing. So much that he became a psychologist. Or, is it that he is the only African-American member in the pack? Complete with an African-American girlfriend. Now an expectant father, he decides to run and hide his family from the Pack.

Clayton is not the only one craving Elena. He is getting competition from the Mutts, now organized.

Since she is the only bitch that can give them beautiful and true puppies, her status is skyrocketing.

The Mutts worship her as The Mother/The Goddess/The Bitch. An archaic patriarchal enjoyment of women. As a baby making machine.

The Pack equally needs Elena but recognized as Clayton’s (somewhat unwilling) partner, it is a non-issue.

It is however clear that Packmaster Jeremy is weak (as a man and as a leader) because he is not using her full potential when he chooses not to rape her.

Am I going to watch season two?

Nope.

Christine

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The Importance of Being Pregnant.

Stories have a correlation to the world we are living in. They are man-made. There is nothing natural about stories.

Shortly after 9/11 a bunch of mainstream Hollywood movies best described as revenge movies came on the scene. No one explicitly taking on the subject of course, it was too early to do that.

We have struggled for a long time now with an enormous amount of post-apocalyptic movies and TV-shows. It does not seem to fade away.

Not so strange when crisis after crisis has had the world in turmoil this last decade. Economic collapses, political and environmental disasters. You name it!

Post-apocalyptic themes and zombies usually follows vampires, a leech that not so strangely correlates with economic changes in society.

I am not kidding. You can google it.

What comes after the post- apocalypse?

Babies, is the right answer!

We need something stabilizing. We need society to move one. We need the family to stay together and we need hope. Nothing says hope like a baby.

I do hope this fad is short-lived.

The last time we had a wave of pregnancies was during the mid-90 to mid-2000 and every drama/comedy in mainstream cinema had at least one pregnant woman or unprepared parents in it.

TV science fiction is now picking up the torch, expecting and bursting with babies.

Extant combines pregnancy with alien intrusion. As if it was not hard enough, Halle Berry need to struggle with aliens, a husband on a mission and Roboboy too.

This show tries hard at many things. Thankfully, they have money enough for visual effects, good actors and a solid production.

Perhaps it would be a better show if they had not done both the ‘alien pregnancy conspiracy’ plot at the same time as the ‘Roboboy is just like human boys’ plot.

The Lottery  is seriously taking the subject of pregnancy, or the lack of, straight on. This show has potential.

I know. It is just another way to say they fucked it up.

It was supposed to be Children of Men  for TV but perhaps they got too afraid it would look like a copycat? Children of Men was good on as many levels as this show is bad.

Okay, you had a beautiful baby. Can we please move on now?

Christine

 

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Doctor Who. An Apple a Day.

This is a difficult rant to write but the necessity has become alarming.

My Whovian affinity began with me accidentally watching part of an episode at a friends’ house. Tennant was the Doctor. I admit, I remember it as a bit embarrassing.

However, one thing was clear.

The Doctor might be in almost every scene but the show is not about him.

Awkward, there was still something there. Enough for me to want to check out more.

I wanted to part-take. I liked the whole space and time concept, although wibbly wobbly timey wimey.

Before I jumped on the new series bandwagon, I decided to watch the old stuff first.

It took me a year to go through it all.
From 1963 up until 89, including the movie from 1996.

I was hooked.

Early on, my theory about the Doctor was confirmed.

His part in the story became clearer through each regeneration. The Doctor is as much a character as the Tardis is. The story was not about him.

The new instalment changed this.

Doctor Who needed to follow the New Golden Era Formula for TV series. Which means an emphasis on character driven plots (hooks) at the expense of story driven ones.

He became the main character.
He became a man.

He is not.
He is an alien.

We needed him to fulfill the (epic) hero role. Complete with romance and everything. With the ugly and embarrassing affair of Rose and the 10th Doctor as the result.

The Doctor is not supposed to be a romantic hero.

He is a tool. A device.

I do not want to figure him out, or know more about him because there is no unresolved mystery there.

He is simply the Doctor.

Doctor Who?

Exactly.

Christine

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Fantasy and God. Part 2: Book of Insight.

The Leftovers  final episode came and went with a lot less fuss than I expected.

From the first episode there was this massive built up frenzy from fans, critics and hostiles. Mostly from frustrated fans looking for answers.

Surprised by my own reaction while I watched The Leftovers, it spurred not only reflection on my part but also writing a blog entry on fantasy genre and God where I raise the question of the sudden appearance of God everywhere in (new) fantasy fiction.

More surprised, I had so much nothing to say that one entry was not enough. That is why you are reading part two.

Rich conservative Christian individuals/organizations/churches/ congregations/cults/whatever they call themselves, are no virgins to media production.

They have their own radio and TV channels. Hell, they have even conquered the Internet! Streamlining their message, teaching people to be good Christians. All over the world.

Now however, it seems they are getting their hands dirty by putting their hard-earned dollars into mainstream media production, funding a more hidden message. Making the Christian God a natural part of everything.

You sense I am not a fan.
You sense right.

There is nothing natural about God.

And, nothing natural about my reaction to The Leftovers.

It shook my soul. My skepticism went haywire, casting me out into total chaos, ending up as an emotional ball of unresolved anger.

Why?

The Guilty Remnants (GR).

Every time the story lingers on these white clad, chain-smoking and silent folks, my stomach hurt. They anger me.

They make me uncomfortable. They scare me because the only thing I know about them, leaving the last two episodes out of it, is that they leave everyone and everything behind (although still part of the society) swears to silence, wears only white and chain-smokes.

Their mission is to make people remember.

Up until the final episode, it is unclear what people are supposed to remember. Making it universal. Whatever you have regrets about becomes what you should remember.

Up to a point, they only stalk people.

Soon they move on to breaking into people’s homes stealing photos and clothes. Leaving family and friends of those raptured with less to remember them by.

It is an effective way to piss people off. I am not the only one reacting badly to the GR and I am not even part of that world!

In the final episode, they top their weirdness by placing human-sized dolls looking like those raptured in their own clothes in the exact same situation they were raptured from.

At the same time, I am not that outraged anymore. Because now I have a clearer picture of who they are and what they want.

The more I know, they crazier they get, the calmer I stay.

Which made me think.

Christine

 

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Intruders. A Plea from the most Abject of Fans.

After watching the first episode of Intruders, I instantly tweeted about it. I was excited!

A few episodes into it, I find myself becoming more and more a fan but at the same time increasingly frightened that it is a relationship not worth investing in.

This is my plea to BBC America.

Please, please do not fuck Intruders  up.

It might be the best sci-fi/mystery thing out there!
On this side of LOST, anyway.

Please keep it within the 90’s feel that was established in the first episode.

Within american gothic fiction.

With acclaimed TV-series like Twin Peaks,  X-Files  and the rightly named but perhaps to early forgotten TV-series American Gothic.

Do not screw it up by regurgitating LOST.

I beg of you!

True Detective successfully walked down the winding road towards an american gothic feel. The viewers stayed true through the madness.

Do not hide anything in fear of us not wanting to watch the next episode.

We are not children.

We know the monsters are real.

We do not need them explained.
Or psychoanalysed.

Keep it simple, mysterious, dark, gritty, surreal, personal. And relish in the darkness.

But most of all keep us clued-in.

If I even feel a faint whiff of LOST  (wow, I really DO have a problem with it. Read more here) during this series, I will walk away.

To never return.

Christine

 

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Orphan Black. Kicking Nature’s Ass.

The Canadian TV-series Orphan Black has taken audiences and a bunch of critics with storm. It is renewed for a third season airing in 2015.

I admit I was sceptic in the beginning.

As I watched episode two and onwards I got over the Ringer copycat thing and started to really enjoy the clone story. It is nothing like Ringer, you just need to get past the first episode.

The first season is okay. Some cool tweaks but the genius part is solemnly Tatiana Maslany’s  fault. The second season is much like the first one, not introducing enough clones though.

The abbreviated summary full of spoilers is this: There are these clones, right. In the beginning they do not know but through hula hoops of coincidents, true detectiving and a suicide, they or at least some of them discover each other and their true origin.

Which is the same gene pool.
Perhaps even an international adoption agency. The details are a little bit blurry about that.

The clones played by Maslany only look alike. Which is not THAT difficult since the same actress plays them all.

Their personalities however are very different. Due to their upbringing.

Classic Nurture vs. Nature.

The interesting part is that their differences does not stop at simple personality traits but also in their sexual identity and orientation. Including one being a lesbian and one a transgendered/transsexual male.

Are you born heterosexual or is that a choice? Choice, in this case being a very complicated concept.

I do get why pro-gay right activists still cling to the “I (They) am (are) born this way” argument although I find it archaic. Their demands on equal rights not diminished by it not being their nature.

Although it is more likely that it is a combination of the two and not versus, this show has made a stand. At least made a statement.

It is enough for me to find it refreshing.

Christine

 

 

 

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Fantasy and God. Part 1: Book of Pretence

Some would claim that the Bible is the most successful fantasy story ever written. Some would say the Bible is Truth. Nothing but the Truth.

The fantasy genre often contain some type of religion, being polytheism, monotheism, or any theism of you choosing. Usually made up especially for that story.

However, using ideas and iconography from established philosophies and religions is usually not put-upon.

The Chronicles of Narnia without C. S. Lewis’ Christian belief could perhaps be a story, but permeated with it as it is, it would also be a very short and nonsensical one. Aslan would perhaps not suffer so much though.

The new trend is using Christianity unashamed.

For years, you could enjoy demons and even angels without questioning if God is real or not.

Hell used to be a place where bad things happens repeatedly, with freeway gates shuffling living and dead back and forth. With or without Lucifer’s blessings.

Lucifer might not even be a part of it. When he was, he did it without longing for God’s approval because God did not need to exist in the story.

Now it seems we need to have God smack in the middle. We cannot have demons and angels without it being a fight where God is a main player, although missing from the picture.

Dominion is an example. Supernatural has become another one. Unfortunately.

As I have said, I have no problem swallowing the angel stuff in both these stories without God. They are fantasy stories after all.

Why the sudden need for God?

Christine

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True Blood. Dead Through.

It is not long before True Blood season 7 fires up its engines and takes off. We are talking DAYS.

It is in this celebratory moment, I ask myself:
What the fudge happened to True Blood season 6?
Fudge yeah, I am using a grandma Stackhouse proofed swear word!

Is it the production? The writers?

Is it me?

The acting, lighting, sets, make up, plotlines, sex, they all sucked.
BIG TIME.

And not in that oversized hunky, sweaty, sexy, southern sucky way we all have learned to love as TB.

Praise Charlaine Harris, I loved the Southern Vampire Mysteries novels. I became a fan girl from the very first page. Although, I never did get the Bill hang up.

Anywho, I have read the novels. Some multiple times with the same result. It only makes me love them more.

I have read the ending. I know who stays alive, dies, and lives dead forever. However, I thought Harris hurried the love story in the end. Ultimately, I can only say that I am as satisfied as far as a junkie can be, now that it is over.

Moreover, I love TB. I love the fact that TB created its own storyline.  It is, or more was, surprisingly good and hot blooded on its own.

I love that they did not kill Lafayette. The one thing I actually miss in the books.

However, I am not any closer to finding out what happened to TB season 6.

TB storyline has changed so much from the novels; I cannot say where they should have taken it. However, the season 6 story is not crap. It is poorly executed.

It is the first time I am not looking forward to next season. Which is also the last one.

Do I dread it? Yes.
Will I watch it? Yes.

By the way, did I mention earlier on that Alan Ball left the show after season 5?

Christine

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Tolkien did not invent fantasy but he may have ruined it.

I heard somewhere that Tolkien is to epic fantasy what Jimi Hendrix is to rock music. Now, I love rock music and I call myself a Hendrix fan.

I like fantasy but strangely enough, I am not that into Tolkien.

It might be me.
Seriously, I can be at fault here.

Epic Fantasy (also known as High Fantasy) has become commercially successful. It is recycled endlessly; movies, TV-series, novels, games. You cannot escape it.

Ultimately, you cannot escape Tolkien.

Tolkien did not invent elves, goblins and dwarves. However, his vision of them has almost replaced their origin.

It has also left a curse behind. The curse of staying true to the traditions of epic fantasy, unwilling to bring something new to it.

Why does nobody accuse Tolkien of stealing material?
Not that I want to go into a discussion on Originality.
I am just saying.

At the same time, modern fantasy (after Tolkien) and its complexities and moral ambivalence has more in common with the grittier and darker fantasy genre (Low Fantasy) than that of Tolkien. He is much more a ‘black and white – and nothing in between’ type.

He is also a bit of a prude.

Modern fantasy is therefore more in the traditions of the pulpy weird fantasy from the US, beginning in the 1920s and 30s with its amorality, nudity, violence and gore. I.e. novelists such as Robert E. Howard (Conan the Barbarian) and Fritz Leiber (Fafhrd and the Gray Mouser) at the front.

Where am I at fault?

Is it a highbrow issue? I usually go for the underdog.
Is it a popular notion? I like what I like. Going against the flow as a default setting.

Does it simply come down to what I like?

In that case, I like my fantasy personal, dark, dirty and naked.

Christine

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Arrow. Deviating from the Path.

Springtime means busy days for a TV addict like me.

These days several series and shows are rounded off. Some just for the summer and some for forever.

On this occasion, I have written a letter (SMS or PM for you younger kidz) to one of my darlings.

Dear Arrow

I am so sorry.
It has been a nice ride but I am no longer interested in you. It is just too much drama.

It is not me. It is all on you.

I cannot take any more of the Island, Laurel’s sniveling, Thea’s petulance, Roy’s sulking, not to forget all of Moira’s choices.

And what is wrong with Caity’s chin anyway?

I got tired of flashbacks mid-season 2 of Lost. It is almost 10 years of overuse and abuse of a very effective narrative device.

Oliver, Diggle and Felicity are what makes this a difficult decision. I like them, even love them and I really want to see what happens to them next.

However, I cannot longer stand the relentless nagging.

I am breaking up with you.

Christine

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Black Sails. In Rough Waters.

I am following up my last post “The Musketeers. All for one and I am all for it”, with a rant on Black Sails, a pirate TV-series from Starz.

You have been warned.

Black Sails is a dramatic adventure TV-series intended as a prequel to Robert Louis Stevenson’s novel Treasure Island (1881).

Although fictional, the novel is blamed for most of popular and wrong perceptions of pirates. It does indeed contain references to historical pirates such as William Kidd and Blackbeard, but because of the high level of fiction, it is recognized as an adventure novel, not as historical.

Back to BS (a very fitting abbreviation).
My question to you: How could they ruin it?

Where is the swashbuckling? Where is the sass?
Actually, where is the adventure?

BS tries very hard to be historical realistic but it comes out in the other end as sappy drama. I have been more entertained by watching paint dry.

I mean, it took them five episodes to get on the fucking water!

They conflict pretense of realism with adventure making it a pretentious work of shit.

They do know it is fiction, right?
Why do they fuck with fantasy, making it look like reality when reality is fucked up enough?

I do not think I will bother with a season two, and will instead hopefully optimistic wait for Crossbones with John Malkovich.

As they say, smooth seas do not make skillful sailors.

Christine

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When fantasy is fantasy, and not science fiction. (Or, why I am a Trekker first, and a Star Wars fan second.)

Rejoyce! The Star Wars VII cast has been announced!

On that note, is Star Wars science fiction or fantasy?

Science fiction deals with imaginative content. So does fantasy.
Science fiction depicts other worlds, past, parallel,
present, future or alternative. So does fantasy.
Science fiction explores literary themes like morality and social structure. So does fantasy.

The difference between them is (or is it?) that the imaginary elements within sci fi are possible within science, although they still are pure speculation. There is however, a pretense of realism.

So no magic, no good or evil. No wizards, vampires, ruby slippers, shapeshifting or Middle Earth.

Mary Shelley’s Frankenstein (1818) is recognized as one of the first works of science fiction. It also spurred the weird fiction genre, or what we now recognize as horror.

However, what happens when vampires are explained through science, i.e. medical mumbo-jumbo? Like in I am Legend from 2007. Vampires per se are creatures of fantasy.

In I, Frankenstein from 2014, Frankenstein (a creature of science) must involuntarily fight with Angels poorly dressed as Gargoyles against hordes of Demons in a crazy mash up of science and magic.

None the wiser?

I seem to prefer sci fi, although Harry Potter is much better as a wizard than he would be as a lab-assistant.

Conclusively, Star Trek is sci fi and Star Wars is fantasy.

It is simply a Force thing.

Christine

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